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Still Life with Attributes of the Arts Måleriet identifieringen:: 74950
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Still Life with Attributes of the Arts 1766
Oil on canvas
112 x 141 cm
cjr 1766
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_Oil_on_canvas
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_112_x_141_cm
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Uva y granada Måleriet identifieringen:: 75766
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Uva y granada Date 1763(1763)
Medium Oil on canvas
Dimensions Deutsch: 47 x 57 cm
cyf Date_1763(1763)
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Medium_Oil_on_canvas
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Dimensions_Deutsch:_47_x_57_cm_
cyf
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dit Le Souffleur Måleriet identifieringen:: 76281
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dit Le Souffleur Date 1734(1734)
Medium Oil on canvas
Dimensions 138 x 105 cm (54.3 x 41.3 in)
Date_1734(1734)
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Medium_Oil_on_canvas
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Dimensions_138_x_105_cm_(54.3_x_41.3_in)
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Still Life with Attributes of the Arts Måleriet identifieringen:: 76536
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Still Life with Attributes of the Arts Date 1766
Medium Oil on canvas
Dimensions 112 x 141 cm
cyf Date_1766
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Medium_Oil_on_canvas
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Dimensions_112_x_141_cm
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cyf
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Boy with a Top Måleriet identifieringen:: 76610
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Boy with a Top ca. 1735(1735)
Oil on canvas
68 x 76 cm (26.8 x 29.9 in)
cjr ca._1735(1735)
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_Oil_on_canvas
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68_x_76_cm_(26.8_x_29.9_in)
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| Föregående Konstnär Nästa Konstnär
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Jean Simeon Chardin
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(2 November 1699 - 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre.
Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicolas Coypel, and in 1724 became a master in the Academie de Saint-Luc.
According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the Place Dauphine (by the Pont Neuf). Van Loo, passing by in 1720, bought it and later assisted the young painter
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